24 April 2012

Noa's performance at Memorial Day events for Jewish and Palestinian families. (Tel Aviv, Israel)








A Facebook group is calling for a boycott of the popular Israeli singer Noa.
More than 3,500 members have signed on to the group, which launched following her performance last week at an alternative Memorial Day event for bereaved Jewish and Palestinian families. Many of the members have called the singer insulting names playing off her name.
Noa, whose name is Achinoam Nini, says she is shocked by the negative reaction to her performance.
“I am just shocked by this stupid and ugly distortion,” Nini posted on her Facebook page. “I sang at an alternative ceremony, at which Jews and Arabs remember and cry together for their loved ones who were lost in the ongoing war between us.”
Nini called the ceremony “moving,” and marked by “unity, understanding, empathy, and especially peace.”
Combatants for Peace, a joint Israeli-Palestinian group that originally was comprised of former Israeli soldiers and Palestinian militants, organized the alternative ceremony.
In a blog post following the start of the campaign against her, Nini wrote that “Israel is now going thorough one of the darkest periods of her short history. The amount of brainwashed people walking the streets here, the amount of RACISM and blind hatred, is simply mindboggling (and this goes for both the Jewish and the Arab population within Israel). I am but one of a long list of people and organizations with views similar to mine who have been bashed, banned, ostracized, ridiculed and marginalized, virtually OUTLAWED, since the present right-wing government has been in office.”
The singer called on Jews and Israelis to neither blindly criticize nor support everything that Israel does and to support organizations calling for peace. Her list of such organizations includes J Street, One Voice and the Abraham Fund.


Read more: http://www.forward.com/articles/155525/pro-peace-israeli-singer-faces-boycott/#ixzz1tcC1us5R



MIVASSERET - It was cold enough on the eve of Memorial Day that at one point the muscles of my jaw cramped shut. It was cold enough and dark enough that something in the specifics of the pain and the paralysis made sense. It was a night to say nothing. To listen and to feel. To feel for one family. To take in anew the awe and the horror in an entire country struck mute by its own air-raid sirens.
The people of this town facing Jerusalem had gathered to recall the more than 100 loved ones Mivasseret has lost to war and terrorism. But they were there in particular to mourn its most recent tragedy. A soldier we killed by ourselves.

Everyone in town, it seemed, had known Hila Betzaleli, who as a youth had volunteered for ambulance duty with the Magen David Adam rescue service, later becoming a senior medic and a mentor for other medics in the army. They knew the kind of person that she was. The true heart of this country. The sort of person who explains why and how this country continues to exist. The sort of person this country was built on, and survives because of, and seldom if ever pays attention to. Until nights like this one, when it is already too late.
Near her base in the Jordan Valley, Palestinians knew that if relatives needed urgent medical attention, they could come to where Hila served. "In the last case," her mother told a local paper a few days after her death, "Hila phoned and told me that people had left a four year old girl, burned all over, at the gate, and disappeared. Hila wasn't the duty medic at the time, but she ran there, of course, and began working to save the girl's life. Human life was her holy of holies, it made no difference if it was the life of an Arab or of a Jew, whatever their politics."
We killed Hila. We killed her on Holocaust Memorial Day by not taking minimal responsibility for this life which took so much responsibility for others. This is the New Israel which privatized and profitized even the central ceremony of Memorial Day and Independence Day. This is the darkness and the coldness of this New Israel, incapable even of keeping warm lights in the air long enough to keep them from falling to earth and killing Hila Batzaleli
It was this New Israel of ours, the dark side of the start-up nation, shorn of its kid leather executive driving gloves and the thin permanent film of a smile. This is the darkness which takes the best that Israel has, its young people of warmth and goodwill and talent, and chews them up and spits them down like so many dishonored contracts.
That same day, down the mountain from here, Achinoam Nini, known internationally as Noa, another Israeli woman of rare love of country, was working to make this a more human, a better place for the people – the peoples - who live here.


She sang for the tens of thousands who gathered in Rabin Square to commemorate fallen soldiers. And she sang, as well, for the thousands of Arabs and Jews who took part in the Alternative Memorial Day service organized by the remarkable Combatants for Peace movement, founded by Israelis and Palestinians who once bore arms against each other.









Remarkable, and yet necessary and, in fact, thoroughly natural. We are all of us bereaved. We are all of us combatants. We are all of us victims and heroic and flawed and human and deserving of peace, of respect, of hope, of life. Of healing. Healing is what Hila Betzaleli's life was about. And Achininoam Nini's as well.
In the end, the efforts to boycott and ban and ostracize Achinoam Nini - the terrible slurs hurled at her in recent days by people who believe that to support Israel is to keep your hand cramped into a fist - have this to teach us: There is no weapon on earth more powerful and more dangerous than the human voice. When a human voice becomes a vessel in the service of change, a lever in the service of good, stand back.


That is why there is so much passion and, often, so little sanity, in efforts to silence it. Something is about to move. And when it does, someone will be threatened.
The hard left and the hard right want you to believe that the true heart of this country is the firebrand with the gun and the gospel and the jones for what is, in deed, someone else's land.
But it is Hila Betzaleli and Achinoam Nini who are the true heart of Israel. This is the heart which needs support and protection and recognition. This is the heart which saves rather than savages. This is the reason that there's still an Israel to love.

Jerusalén. (Efe) - Ahinoam Nini, más conocida fuera de Israel como Noa, es objeto de un boicot en Facebook por haber participado la semana pasada en un acto en recuerdo de víctimas árabes y judías del conflicto de Oriente Medio.


El boicot lo ha emprendido en la popular red social un grupo que le acusa de haber cantado por terroristas en el Día en memoria de los soldados israelíes y las víctimas del terrorismo (Yom Hazicaron, en hebreo), según informa la edición digital del diario Haaretz.


La cantante, según el diario, participó en un acto alternativo que, en lugar de recordar únicamente a las víctimas judías del conflicto palestino-israelí, también rendía homenaje a las víctimas árabes.


"Estoy sencillamente conmocionada por esta distorsión estúpida y desagradable", dice en su página de Facebook la cantante, conocida por sus posturas pacifistas y que en 2010 concursó en Eurovisión con la árabo-israelí Miri Awad con la canción There must be another way (Debe haber otro camino).


"En la ceremonia, judíos y árabes recordaron y lloraron juntos a sus seres queridos que han muerto en la continua guerra entre los dos pueblos", según la artista. "La ceremonia fue conmovedora (..) Fue un ejemplo de unidad, entendimiento, empatía y paz", prosigue la artista, que en un tono provocador alega que, si cualquier árabe es un terrorista, entonces, sí, ha cantado por los terroristas. No obstante, agrega: "Por la misma moneda, cualquier israelí es un asesino. ¡Vamos, que estaba en buena compañía!".


El grupo que exhorta al boicot de la cantante cuenta ya con unos 3.500 seguidores, y en la página se refieren a ella como 'Aji-zevel' y 'Aji-goal', una combinación de su nombre con los términos hebreos 'mierda' y 'repulsiva' respectivamente. También exhortan a una manifestación en el próximo lugar en el que actúe.


Ofer Pesenzon, director artístico de Noa, dijo al diario que lo que más le ha sorprendido es la intensidad, y no el estilo de la protesta. "Dios nos libre, este criticismo viene de la extrema derecha y de gente que no sabe de lo que habla", subrayó. El boicot del grupo israelí se suma al que la cantante debió afrontar hace tres años, esta vez de grupos pro palestinos, en un concierto en Barcelona con motivo de la Diada.


Las protestas la encabezaron entonces medio centenar de activistas de la Plataforma Aturem la Guerra, que protestaba el apoyo que ella había expresado meses antes a la ofensiva israelí en Gaza 'Plomo fundido', en la que murieron unos 1.400 palestinos y 13 israelíes.


En un improvisado discurso en el escenario, Noa lamentó la sangre vertida en Oriente Próximo, defendió el diálogo como solución al conflicto y terminó con una sentida declaración de que su sueño es estar presente y cantar en la firma del tratado de paz entre Israel y Palestina.

13 April 2012

Noa's concert in Herzeliya (Israel)

גיל דור- גיטרות והפקה מוזיקלית ורביעיית המיתרים דורליר חן שנהר- כינור, ניצן קנטי- כינור, איל קלס- ויולה, הילה קרני- צ'לו שירים מהאלבום החדש והמצליח ארץ שיר בתוספת הלהיטים המוכרים של אחינועם.

25 March 2012

Noa's concert in Tucson (Arizona) - USA

Presenting Partners: The Heartbeat of Israel, Jewish Federation of Southern Arizona, Temple Emanu-El, Tucson Jewish Community Center and Weintraub Israel Center

Influenced by her Yemenite roots and singer-songwriters of the '60s, Noa is Israel's leading international concert and recording artist. She plays percussion, guitar and piano, co-wrote the lyrics to the theme for the film, Life Is Beautiful, and is the recipient of WEF Crystal and Dove of Peace awards. Palestinian actress, singer and songwriter, Mira Awad, was born in Galilee and is a Goodwill Ambassador of Peace and devoted advocate of women's rights. Following numerous collaborations with international artists, her debut album, Bahlawan-Acrobat, was released in May 2009. Most recently representing Israel in the 2009 Eurovision contest, Noa and Awad tour to express, musically, their belief in the power of dialogue to promote peace and understanding.

24 March 2012

Noa's concert in Los Angeles (USA)

Q & A: Israeli Singer Noa (Achinoam Nini)
By Don Heckman
Israeli singer/songwriter Noa, whose given name is Achinoam Nini, makes one of her rare Los Angeles appearances on Saturday night in a UCLA Live concert at Royce Hall. Her remarkable resume encompasses performances and/or collaborations with artists reaching from Pat Metheny, Sting, Stevie Wonder and Andrea Bocelli to Lokua Kanza, Khaled and Mira Awad, to name only a few of many. As well as her musical partner of more than two decades, guitarist/producer Gil Dor. Noa has performed with ensembles ranging from a duo with Dor to the Israeli Philharmonic, in major venues throughout Europe, the Middle East, the U.S., Canada, Brazil, Japan and beyond. Through it all, she has been a tireless advocate for peace between Israelis and Palestinians.

* * * * *

DH: Noa, your Saturday night performance at UCLA’s Royce Hall will be one of your rare appearances in Los Angeles. So let’s get down to basics. Can you give me a little advance word about the program we’ll be hearing.

NOA: Since I do not often perform in the US and even less often in LA, I chose to take advantage of the wonderful stage I have been given to present a range of my original material in English, Hebrew and Yemenite. There will be a selection of songs from various albums made over the past 22 years of creative work with my musical director and guitarist Gil Dor. And, in addition, a special spot for ‘the Israeli songbook,’ a collection of classic Israeli songs we recorded together with the Jerusalem Symphony Orchestra in 2011.

DH: What about the ensemble? You’ve performed with everything from a full symphony orchestra to a duo with Gil Dor. Who will be with you at U.C.L.A.?

NOA: Of course Gil Dor will be with me, playing guitar, as he has been for 22 years. We also have a wonderful multi-instrumentalist named Gil Zohar, who will play piano, bass and flute. I myself will be singing and playing percussion.

DH: An intimate, but obviously very musical ensemble.

NOA: We try to make music that stands on its own, regardless of the ensemble.

DH: Your New York appearance a couple of weeks ago was with Mira Awad, the Palestinian singer. She won’t be here in L.A. Will that – in this concert — in any way diminish the dialogues for peace which have played such a prominent role in your performances?

NOA: Mira and I have known each other for over ten years and have done many concerts together. I myself have been performing for twice as long and have collaborated with Arab artists from around the world on numerous occasions. I convey my message of peace in many different ways: in interviews, on my blog or other written platforms (social and such), through collaborations and with specific texts I write and put to music (like the song ‘Shalom, Shalom’). Having said that, I am first and foremost a singer/songwriter. I am happy for the opportunity to share my music with whoever will come out to hear us in Royce Hall.

DH: Expanding on that thought, can you say something about what brought you to the point at which your art became an expression of your belief in the changes that you feel need to take place – in the world, in general, and in Israel, in particular?

NOA: As I said in my previous answer, I do not consider my art as a platform for specific ‘political’ beliefs. My art is a study in the complexities of the diverse, ever changing human spirit. What I do is use my privileged position as a public personality whose voice is heard. In that context, I convey my message any way I can. I realized early on that as an Israeli artist I had two choices: running away from politics or tackling them. I chose the latter, and have become a sort of informal ambassador for all those people in Israel who share my views of dialogue, compassion and peace.

DH: What would you see as the ideal conclusion to your quest for change, in Israel and elsewhere?

NOA: I dream of a world driven by kindness, compassion, generosity, empathy, sharing, creativity, respect and love. A world where ‘we’ becomes much more important than ‘me,’ without compromising either. A world where religion would assume more modest proportions and serve only as an instrument of solace and enlightenment, never of self-righteousness, hatred and violence. Yes, a more modest world. A simple trip to the neighborhood planetarium will help you screw your head on straight any time.

DH: Your music reaches out to embrace many styles and genres. Has the application of your music to your desire for change in any way limited the expression of your far-reaching creative interests?

NOA: Art is always about making choices and limiting yourself in one way or another. Though I have far-reaching interests and a diverse musical and cultural palette, I do try to ‘speak a language’ — one that Gil and I have been perfecting and deepening over the years. Granted, our slightly off beat definition of ‘style’ has made us harder to market, as we do not fall squarely into any one genre. But we are very particular and uncompromising about what we do, and strive for the highest level of excellence. We’ve always said, we bow only to the God of Music.

DH: Given those creative interests, what haven’t you as yet done that you would like to do? With whom could you imagine having a satisfying musical encounter?

NOA: I dream of meeting and possibly writing/singing with my heroes: Leonard Cohen, Paul Simon, Joni Mitchell, James Taylor. I also dream of singing at the signing of the peace treaty between Israel and Palestine. I would also love to be able to bring my symphonic project to places like Carnegie Hall in New York City (my dream since childhood) and Disney Hall in L.A. But really, my greatest wish is to just keep at it, keep travelling this fascinating road of music. The journey is the dream.

DH: Speaking of traveling, you’ve had a very unusual life’s journey – so far. You lived in the U.S. from the age of 2 to 17. Basically your childhood, adolescence and teen-age years. How has that affected you, if it has?

NOA: I was very fortunate to have the childhood that I had, which was not at all simple but so enriching. I grew up in a Yemenite Israeli home, a small apartment in an old tenement building in a lower middle class Bronx neighborhood populated by every type of race and color, and studied in a predominantly Ashkenzi yeshiva. Needless to say this was a source of much confusion to my budding identity. Culture and music were everywhere, from the Yemenite songs my grandmother taught me at home to the Broadway musicals I adored, my mom’s opera obsession and trips to MOMA. I was immersed in art and culture and drank it up with thirst and passion. My parents are the most supportive loving people in the world. They drove me to piano lessons, dance class, choir practice, what not. They listened to the songs I started writing at age 8 and clapped as enthusiastically as if I were Barbara Streisand reincarnated. When I fell in love with an Israeli man — I was 16 — and asked to leave the States and return alone to Israel, they let me go, and they have been enthusiastically following my career and helping me with my three children ever since.

DH: After all that, what was it like to make the transition from essentially being an American teen-ager to returning to Israel and serving in the Army?

NOA: Israel was a shock — still is, after 25 years! — and so was the army. It was a bucket of freezing water poured over my head. I had a hard time in the military, no place for a free spirit, but I learned a lot, and after those two years I was full of ambition and energy, ready to gobble up the world.

DH: But, given conditions in Israel and the Middle East, along with the hazards that an outspoken artist who performs in public might encounter, have you ever considered relocating back to the U.S. – which could be a kind of homecoming for you – and raising your children, as you were raised, in this country?

NOA: I have considered it, but will only do so if things get really, really bad in Israel. The definition of ‘bad’ is very subjective of course, but I guess I’ll know when the time comes. For the moment, I’d rather stay in Israel, which I love, and fight for what I believe in, than replace one promised land for another…

DH: Noa, a final question about a very significant moment in your life – in many people’s lives. You were at the Tel Aviv peace rally in 1995 when Yitzhak Rabin was assassinated. Can you say something about the impact it had on you?

NOA: I was there on stage, in one of the happiest moments of my life, performing for the many hundreds of thousands of people that had come out to encourage Rabin on his quest for peace, post Oslo [Accords, establishing the Palestinian National Authority]. Twenty minutes later, the dream was blown to bits by a mad assassin. I was so shocked and horrified. I think I haven’t recovered to this day. I pledged then to do my utmost, even at the expense of personal security, comfort and commercial success, to carry the torch that had fallen from his hand that awful night, and work for peace. That is what I have been doing, stubbornly, ever since.

DH: Thank you, Noa, for this illuminating conversation. It’s been a pleasure. I look forward to hearing you at Royce Hall on Friday night.

Israeli singer Noa breezed into town for a too-brief, ninety minute set at U.C.L.A.’s Royce Hall last night. It should’ve been, could’ve been longer. Noa, whose full name is Achinoam Nini, is a singer-songwriter with extraordinary skills. Well-known on the international, world music circuit, she still hasn’t received the recognition in this country that her abilities deserve. Which is surprising, given the fact that she spent a decade and a half of her youth growing up in New York City (the Bronx, actually), from the age of 2 to 17.

Fully versed in American culture, she also has a rich affection for her Yemenite heritage as well as a strong connection with contemporary Israel, where she was born, and which has been her home for most of her adult life.


Noa
Although the repertoire Noa chose for the Royce hall appearance largely emphasized material drawn from her Yemenite and Israeli roots, the extraordinary quality of the performance was driven by her ability to transform the unfamiliarity of those songs beyond the specifics of language into the lyricism of emotion.

The same was true of the pieces written with her long time musical partner Gil Dor, who — along with pianist/bassist Gil Zohar – provided Noa’s sole accompaniment. Working together for more than twenty years, they write songs that possess the same sort of creative intimacy that was apparent in their onstage interaction.

Despite the relative brevity of the performance, there were many highlights. The opening numbers – Noa’s “Waltz to the Road” and Noa and Dor’s “Mishaela” were delightful scene setters. “Rachel Olah min Ha-Midbar,” a marriage of two songs, including words from the Scriptures, and the traditional Yemenite song, “Uri,” were delivered with compelling musical authenticity.

An impromptu and utterly spontaneous guitar solo from Dor testified to the breadth of his imagination. Noa adeptly played various percussion instruments throughout the show, ranging from conga-like drums and hand drums to – on the traditional Yemen song – an oil can. And a climactic number showcasing her as a drummer was a delightful display of high energy virtuosity.

The high spirited closing, “Shalom, Shalom,” underscored the pleasures of this eminently listenable evening. In her recent Q & A for iRoM, Noa spoke of her desire to perform in venues such as Disney Hall. One hopes that the folks in the Los Angeles Philharmonic Presentations office (are you listening, Laura Connelly?) will bring Noa and her gifted musical accomplices back for another, more extended offering of her memorable music.


Israel’s prolific recording artist, Noa (known in her home country by her given name Achinoam Nini), brings her soulful voice and lyrical sensibility to a special program featuring highlights from her career, with special focus on her latest release, the critically acclaimed Israeli Songbook. Noa has been making breathtaking music for more than 20 years in an incredible range of styles and languages. Alongside her eclectic musical collaborator and guitarist Gil Dor, she has written and recorded in Hebrew, English, Yemenite, Italian, Neapolitan, French and Spanish. In this program, she keeps her roots very close with material featuring moving takes on beloved Israeli classics, “Hayu Leilot,” “Mayim Rabim,” “Ruach Stav” and more as well as unique originals and other surprises. The program also features Noa playing a unique mix of Middle Eastern and Latin percussion.


Noa, one of Israel’s leading global music acts and her longtime creative collaborator Gil Dor are set to perform on Saturday, March 24 at 20:00 (8:00 p.m) at UCLA Live in Los Angeles (California).
In this program, Noa and Gil Dor explore contemporary Hebrew Song, from its origins rooted in folk tradition, through the classical composers that put the poetry of the revived biblical language to music, and to their own original songwriting, which is inspired and influenced by all of the above.

The concert features highlights from Noa and Gil’s latest release, The Israeli Songbook, a collection of classic Hebrew songs arranged for and recorded with the Jerusalem Symphony Orchestra. The evening will feature some of Noa’s most beloved songs, as well as traditional Jewish Yemenite songs and compositions inspired by Hebrew poet, Rachel.

Known in Israel by her given name Achinoam Nini, Noa is one of Israel’s leading international concert and recording artists. Born in Tel-Aviv in 1969, Noa lived in New York from age 2 until her return to Israel at the age of 17, where she served the mandatory two years in the Israeli Army in a military entertainment unit. She then studied music at the Rimon School of Jazz and Contemporary Music where she met her longtime partner and collaborator Gil Dor.

Gil Dor was born in 1952 in Israel and studied classical guitar with the late Menashe Bakish, one of Israel’s foremost masters of guitar. Following his military service in an entertainment unit, he continued his studies in jazz and classical theory and composition at Berklee and Queens College. Upon returning to Israel in 1981, Gil established himself as a guitarist as well as an arranger and composer, performing live jazz and rock and recording with leading artists in Israel.

Together, the pair has released 15 albums with more than 2.5 million copies sold worldwide.

Saturday, March 24 at 8 p.m. (doors 7 p.m.)
UCLA Live at Royce Hall
340 Royce Drive, UCLA Campus
Tickets available at uclalive.org, the UCLA Box Office at 310.825.2101, or via Ticketmaster ($20-$55).

22 March 2012

Noa's concert in Palo Alto (USA)

Noa in Concert
With Special Guest Mira Awad

אחינועם ניני מארחת את מירה עוואד בהופעה

Known in Israel by her given name Achinoam Nini, Noa is Israel's leading international concert and recording artist. In 1994, Noa performed her version of Ave Maria for a live audience of 100,000 and a TV audience of millions at the culmination event of the "Year of the Family" at the Vatican, witnessed by Pope John Paul II. She performed during the Jubilee in the year 2000, before the Pope and an audience of 500,000 students, together with Alanis Morissette, Lou Reed, Gerarad Depardieu, Dave Stewart and Andrea Bocelli. In March 1999, Noa sang for President Clinton at the White House.

Noa studied music at the Rimon School of Jazz and Contemporary Music in Israel and the Rimon Music School where she met her long-time partner and collaborator Gil Dor. Over the span of their 15 year career together, Gil and Noa have written and produced successful international and Israeli albums.

Mira Awad is an Israeli Arab singer, actress and songwriter. She was born in Rameh village in Galilee, Israel, to an Arab Christian father and a Bulgarian Christian mother. She lived in New York City from age two until her return to Israel at the age of 17. Her family is originally from Yemen.

In 2009, Awad and Noa represented Israel at the Eurovision Song Contest with the song There Must Be Another Way.
Noa (Achinoam Nini) is Israel's leading international concert and recording artist. She has collaborated with Sting, Stevie Wonder, Carlos Santana, Sheryl Crow, George Benson, Jhonny Clegg, Zucherro, Peter Maffay, Pino Daniele, Rita Marcotulli and many more. She has performed in numerous venues around the world including Carnegie Hall, Avery Fisher Hall, Rome's Colloseum, Palau de la Musica in Barcelona, the North Sea Jazz Festival in Holland and the Water Festival in Stockholm. Noa helped write the lyrics for Nicola Piovani's musical theme for Roberto Benigni's Oscar award winning movie "Life Is Beautiful" and collaborated with French composer Eric Serra on The Experience of Love from the James Bond film "Goldeneye" and My Heart Calling from the Luc Besson film "Joan of Arc."

In 1994, Noa performed her version of Ave Maria for a live audience of 100,000 and a TV audience of millions at the culmination event of the "Year of the Family" at the Vatican, witnessed by Pope John Paul II.

Israeli Arab singer, actress and songwriter Mira Awad will also perform.

אחינועם ניני, המוכרת בעולם בשם "נועה" (Noa), היא אמנית בינלאומית מובילה. נועה נולדה בתל-אביב בשנת 1969, וחיתה בניו-יורק מגיל שנתיים ועד שובה לישראל בגיל 17. ניני למדה מוסיקה בבית-ספר "רימון", שם נוצרה השותפות ארוכת-השנים עם גיל דור, גיטריסט מוכשר, מעבד וכותב. נועה הספיקה להוציא שישה אלבומים בינלאומיים ועוד ארבעה מקומיים, ולהופיע עם החומרים שלה מסביב לעולם, כולל שתי הופעות בפני האפיפיור ואחת בפני ביל קלינטון.


מירה עוואד, ערבייה נוצרייה מהכפר ראמה בגליל, אף היא בוגרת "רימון", הנה זמרת ושחקנית ("עבודה ערבית"). בשנת 2009 נבחרה, יחד עם אחינועם ניני, עמה היא משתפת פעולה בהופעות והקלטות לאורך שנים, לייצג את ישראל באירוויזיון.

במופע המשותף תופיע אחינועם ניני עם גיל דור וההרכב שלה ועוואד עם הרכב נוסף.

Date:Thursday, March 22
Time:8:00 PM (Doors open at 7:30 PM)
Location:OFJCC, Schultz Cultural Arts Hall
Fee:
Up to 24 hours prior to the event (Note: advance registration will close on March 21):
$60 Members & students, $65 Non-Members
(Reserved seating)
$75 at the door, space permitting
Contact: ICC
(650) 223-8692
icc@paloaltojcc.org

18 March 2012

Noa's concert in Wilmington (Delaware) USA




Known in Israel by her given name Achinoam Nini, Noa is Israel's leading international concert and recording artist. The world music superstar studied at the Rimon School where she met her long-time partner and collaborator, Gil Dor. Noa's strongest influences come from the singer-songwriters of the ‘60s, including Paul Simon, Joni Mitchell and Leonard Cohen. These musical and lyrical sensibilities, combined with Noa's Yemenite roots and Gil Dor's strong background in jazz, classical composition, and rock, have created Noa and Gil's unique sound, manifested in hundreds of songs written and performed together and beloved the world over.

Presented in partnership with the Jewish Federation of Delaware and the Consulate General of Israel for the Middle Atlantic Region